期刊簡(jiǎn)介預(yù)計(jì)審稿時(shí)間： 19 Weeks

Tempo exists to document the international new music scene while contributing to, and stimulating, current debates therein. Its emphasis is on musical developments in our own century, as well as on music that came to prominence in the later twentieth century that has not yet received the attention it deserves. The articles and reviews cover the new music scene in all its complexity, featuring discussions of compositional trends, performance practices, listening practices, new music contexts and reception histories. TEMPO is sympathetic both to writing about new forms of creative practice (electronic, interdisciplinary, performance-based) and to writing that employs innovative methods of enquiry that differ from the aims of traditional musicology.

TEMPO的存在是為了記錄國(guó)際新音樂(lè)場(chǎng)景，同時(shí)為當(dāng)前的爭(zhēng)論做出貢獻(xiàn)并激發(fā)爭(zhēng)論。它的重點(diǎn)是我們這個(gè)世紀(jì)的音樂(lè)發(fā)展，以及二十世紀(jì)后期嶄露頭角但尚未得到應(yīng)有關(guān)注的音樂(lè)。這些文章和評(píng)論涵蓋了新音樂(lè)場(chǎng)景的所有復(fù)雜性，包括對(duì)作曲趨勢(shì)、表演實(shí)踐、聽(tīng)力實(shí)踐、新音樂(lè)背景和接受歷史的討論。TEMPO既贊同關(guān)于新形式的創(chuàng)造性實(shí)踐（電子、跨學(xué)科、基于表現(xiàn)）的寫(xiě)作，也贊同采用不同于傳統(tǒng)音樂(lè)學(xué)目標(biāo)的創(chuàng)新探究方法的寫(xiě)作。

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