期刊簡介預計審稿時間：

History of Photography has become an authoritative international quarterly publication in the fields of photography history, practice, and theoretical research. The magazine has attracted scholars, photographers, curators, and art enthusiasts from around the world with its unique inclusive and interdisciplinary nature. The magazine not only focuses on the traditional field of art photography, but also extensively covers practical areas such as science, business, and news photography, showcasing the rich connotations of photography as a multidimensional art and tool. The content of this magazine is not limited to static images, but also includes emerging fields such as dynamic imaging and digital photography, reflecting the continuous evolution and innovation of photography media.

The magazine provides readers with in-depth historical insights and theoretical reflections through its high-quality academic papers, case studies, and thematic discussions. The magazine encourages the use of diverse academic methods, including historical research, art history analysis, anthropological examination, sociological research, archival organization, and theoretical exploration, to comprehensively reveal the complexity and diversity of photography as a cultural phenomenon. In addition, it actively participates in the compilation of global photography history, promoting the exchange and integration of photography history around the world through special reports and academic exchanges. This magazine is not only an academic hall in the field of photography research, but also an important platform for promoting global photography cultural exchange and understanding.

《攝影史》已成為攝影歷史、實踐和理論研究領(lǐng)域的權(quán)威國際季刊。該雜志以其獨特的包容性和跨學科性質(zhì)，吸引了來自世界各地的學者、攝影師、策展人和藝術(shù)愛好者。雜志不僅關(guān)注傳統(tǒng)的藝術(shù)攝影領(lǐng)域，還廣泛涵蓋了科學、商業(yè)和新聞攝影等實踐領(lǐng)域，展現(xiàn)了攝影作為一門多維度藝術(shù)和工具的豐富內(nèi)涵。該雜志的內(nèi)容不僅局限于靜態(tài)圖像，還包括動態(tài)影像和數(shù)字攝影等新興領(lǐng)域，體現(xiàn)了攝影媒介的不斷演變和創(chuàng)新。

雜志通過其高質(zhì)量的學術(shù)論文、案例研究和專題討論，為讀者提供了深入的歷史洞察和理論思考。該雜志鼓勵使用多元化的學術(shù)方法，包括歷史研究、藝術(shù)史分析、人類學考察、社會學研究、檔案學整理以及理論探索，以全面揭示攝影作為一種文化現(xiàn)象的復雜性和多樣性。此外，它還積極參與全球攝影史的編纂工作，通過專題報道和學術(shù)交流，促進了世界各地攝影歷史的交流和融合。該雜志不僅是攝影研究領(lǐng)域的學術(shù)殿堂，更是推動全球攝影文化交流和理解的重要平臺。

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