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Documentary Studies "is not a magazine, but a systematic exposition of documentary theory written by Nie Xinru and published by Fudan University Press in 2010. This book comprehensively and deeply explores the origin, development, genres, classification, definition, narrative, and composition of documentaries, providing rich academic resources for documentary researchers and readers interested in documentary theory.

Professor Nie Xinru, with her profound background and rich practical experience in the field of film and television, has conducted a detailed analysis and discussion on documentaries. The book not only reviews the historical background of the birth of documentaries around the 1930s, but also delves into the contributions of film masters to the development of documentaries, as well as the rise of the two important genres of "direct film" and "real film" in the 1950s and 1960s and the aesthetic concepts they represent.

In addition, "Documentary Studies" has put forward unique insights into theoretical issues such as the classification and definition of documentaries, and through interdisciplinary research methods, has conducted in-depth discussions on aesthetic issues such as the authenticity of documentaries from multiple perspectives including philosophy, history, sociology, and linguistics. This has enabled the book to reach a high level of theoretical depth and breadth, making it a classic work in the field of documentary research.

《紀錄片研究》并非一本雜志，而是一本由聶欣如所著，復旦大學出版社于2010年出版的系統(tǒng)闡釋紀錄片理論的著作。該書全面而深入地探討了紀錄片的起源、發(fā)展、流派、分類、定義、敘事及構成等多個方面，為紀錄片研究者和對紀錄片理論感興趣的讀者提供了豐富的學術資源。

聶欣如教授憑借其在影視領域的深厚背景和豐富的實踐經(jīng)驗，對紀錄片進行了詳盡的分析和論述。書中不僅回顧了紀錄片在20世紀30年代前后誕生的歷史背景，還深入探討了電影大師們對紀錄片發(fā)展的貢獻，以及“直接電影”和“真實電影”這兩個重要流派在50至60年代的興起和它們所代表的美學觀念。

此外，《紀錄片研究》還就紀錄片分類、定義等理論難題提出了獨到見解，并通過跨學科的研究方法，從哲學、歷史學、社會學、文字學等多個角度對紀錄片的真實性等美學問題進行了深入探討。這使得該書在理論深度和廣度上均達到了較高水平，成為紀錄片研究領域的經(jīng)典之作。

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